PORTABLE HENRY ROLLINS, THE(ISBN=9780375750007)
Henry Rollins is an artist whose legendary, no-holds-barredperformances encompasses music, acting, and written and spokenword. As Details magazine said when it named Rollins the 1994 Manof the Year: "through two decades of rage and discipline, HenryRollins has transformed himself from an L.A. punk rocker into auniversal soldier. His enemies: slackers and hypocrites. Hismission: to steel your soul and rock your world." Rollins wasfrontman for the seminal punk band Black Flag, and since 1987 hasled the Rollins Band, whose ninth album, Come In and Burn, was justreleased by DreamWorks. As a spoken-word artist, he regularlyperforms at colleges and theaters worldwide and has released eightspoken-word audiotapes. His album Get in the Van won the Grammy forBest Spoken Word Album for 1995. As an actor, he has appeared inThe Chase, Johnny Mnemonic, Heat, and David Lynch's forthcomingfilm, Lost Highway. From his days as front man for the band BlackFlag and the current Rollins Band to his books and spoken-wordaudiotapes, Henry Rollins is the music, the attitude, and the voicethat takes no prisoners. In his twelve books, he has led us on ahallucinatory journey through the decades--and his mind--withpoems, essays, short stories, diary entries, and rants that existat "the frayed edges where reality ends and imagination begins"(Publishers Weekly). For the first time, the best of his legendary,no-holds-barred writings are available. This collection includesnew photos and works from such seminal Rollins books as: HighAdventure in the Great OutdoorsArt to Choke HeartsBang Black CoffeeBluesGet in the VanDo I Come Here Often?Solipsist Plus never beforereleased stories and more...
¥114.70
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COMP LYRICS OF JOHNNY MERCER(ISBN=9780307265197)
“This is the seventh volume in one of the most worthwhile scholarlyenterprises of our time, the effort to collect all the lyrics ofthe great pop songwriters of the 20th century. . . . Thescholarship is impressive . . . a labor of love . . . Amazinglyprolific . . . Mercer tended to think of each lyric as complete initself, a little poem . . . He seemed comfortable across theentirety of America, and said as much in song: ‘Any place I hang myhat is home.’ But he always kept up his connection to the South,which provided him with the inspiration for much of his best work.. . . The other great lyricists had many ear-bending adjectives intheir quivers. But none of them ever came up with a more perfectword for a song than Johnny Mercer did when his Southernunconscious gave him the gift of ‘huckleberry.’”—Barry Gewen, The New York Times BookReview“[Mercer] could be considered the best lyricist of the lastfive-score years. . . . one of the most evocative writers about theAmerican South who’s ever put pen to paper. . . . Enjoying a booksuch as this is akin to turning on an internal iPod. . . . Mercerwrote ‘That Old Black Magic’ and infused it—and everything else hecopiously imagined—with that old knack magic.”—David Finkle, The Huffington Post
¥337.20
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Reading Lyrics(ISBN=9780375400810)
From Back Cover“Indispensable, stellar new anthology. This eclectic book providesenough humor, romance and sophistication to make you forget thatSeussical even existed.”–Jason Zinoman, Time Out New York“This music is an amazing art form; it’s a substantial culturalphenomenon.”–Newsweek“’Reading Lyrics’ is both a groundbreaking social document andits own pleasure dome. Its seven hundred and six pages confirm theaccomplishments of the greats, but they also providesurprises.”–The New Yorker“America was the laboratory that proved Plato’s contention thatsongs are ‘spells for souls for the creation of concord.’ If youread between the lines of many of the lyrics in the anthology, youhear an alarmed society calming its frazzled nerves.”–The New Yorker“[‘Reading Lyrics’] defies literary categorization. It’sreference work. It’s a singalong book. . . It’s a shadow history oftaste and mores over much of the past century. It’s a valentine toa now-vanished artistic craft. And it’s an act of fondprovocation.”–The Boston Globe“’Reading Lyrics’ demonstrates one of the may magic tricks thatwords can do: the way that letters and lines on a page can (withyears of practice) learn how to carry a tune.”–Elle“With around 170 lyricists on offer, the book makes its share ofworthwhile rediscoveries. . . . That’s the fun of ‘Reading Lyrics.’Readers can hum along with songs they know, while songs they don’twill have them hurrying off to the nearest music megastore.”–New York Times Book Review“Sparklingly entertaining, ‘Reading Lyrics’ exalts the lyricalsublimity of such cunning wordsmiths as Porter, Gershwin, andCoward.”–Vanity Fair“Tuneless, but what joy! . . . . For no sooner do the lyricsappear before one’s eyes than reading gives way to song.”–Billboard Magazine“This wondrous and magical concoction is highlyrecommended.”–Wall Street Journal“This is one of the finest collections of words there is. Toquote P.G. Wodehouse. . . ‘And I wish someday I could find my wayTothe land where the good songs go.’ That land is Reading Lyrics. ‘Swonderful.”–NewsdayFrom Booklist~Most people remember a song better than they remember a poem.During the 1900^-75 scope of this sterling anthology, remembering asong was remembering a poem. That span was the heyday of theclassic American popular song, which re-expressed all the oldemotions in language invigorated by the dialects of all theexternal and internal immigrants drawn to America's burgeoningindustrial centers. The typical classic American popular song--anyof the 1,000-plus examples editors Gottlieb and Kimball havechosen--is rife with those pnemonic aids par excellence, rhyme andwordplay. Accordingly, you could use the book for a party game, theobject of which would be seeing who recalls the most songs and,beyond that, can sing them. With lyricists including all thesuperstars, from Cohan to Sondheim, and plenty whose songs' famehave outlived that of their names, such as Haven Gillespie ("SantaClaus Is Comin' to Town") and Edward Eliscu ("Without a Song"), theparty could take all of a grand night for singing. Oh!--get a copyfor the reference desk, too. Ray OlsonCopyright © American Library Association. All rightsreserved~
¥233.40
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ROLLING STONE ILL. HIST. ROCK(ISBN=9780679737285)
¥215.30
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Make Music With Your Ipad 9781118145586
¥233.10
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¥161.40
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¥200.70
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MUSICIAN'S GUIDE TO LICENSING（ISBN=9780823014873）
¥115.40
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Men Who Would Be King（ISBN=9780547520278）
¥103.50
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THAT MAGIC FEELING（ISBN=9780307452399）
¥161.40
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EVERYBODY LOVES OUR TOWN（ISBN=9780307464439）
Twenty years after the release of Nirvana’s landmark albumNevermind comes Everybody Loves Our Town: An Oral History ofGrunge, the definitive word on the grunge era, straight from themouths of those at the center of it all.In 1986, fledgling Seattle label C/Z Records released Deep Six, acompilation featuring a half-dozen local bands: Soundgarden, GreenRiver, Melvins, Malfunkshun, the U-Men and Skin Yard. Though itsold miserably, the record made music history by documenting aburgeoning regional sound, the raw fusion of heavy metal and punkrock that we now know as grunge. But it wasn’t until five yearslater, with the seemingly overnight success of Nirvana’s “SmellsLike Teen Spirit,” that grunge became a household word and Seattleground zero for the nineties alternative-rock explosion.Everybody Loves Our Town captures the grunge era in the words ofthe musicians, producers, managers, record executives, videodirectors, photographers, journalists, publicists, club owners,roadies, scenesters and hangers-on who lived through it. The booktells the whole story: from the founding of the Deep Six bands tothe worldwide success of grunge’s big four (Nirvana, Pearl Jam,Soundgarden and Alice in Chains); from the rise of Seattle’scash-poor, hype-rich indie label Sub Pop to the major-label feedingfrenzy that overtook the Pacific Northwest; from the simple joys ofmaking noise at basement parties and tiny rock clubs to the tragic,lonely deaths of superstars Kurt Cobain and Layne Staley.Drawn from more than 250 new interviews—with members of Nirvana,Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole,Melvins, Mudhoney, Green River, Mother Love Bone, Temple of theDog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, theU-Men, Candlebox and many more—and featuring previously untoldstories and never-before-published photographs, Everybody Loves OurTown is at once a moving, funny, lurid, and hugely insightfulportrait of an extraordinary musical era.
¥144.00
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THIS BUSINESS MUSIC MARK(ISBN=9780823077298)
¥144.00
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START & RUN YOUR OWN RECORD LA(ISBN=9780823084630)
¥126.70
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New Moon: The Official Illustrated Movie Companion 9780316075800
¥122.30
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FINE ROMANCE, A(ISBN=9780805242508)
¥132.70
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Beautiful Creatures The Official Illustrated Movie Companion (Media tie-in) 9780316245197
¥122.30
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New Face Of Jazz, The(ISBN=9780823000654)
¥126.70
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Verdi With A Vengeance(ISBN=9780375705182)
¥103.40
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I DON'T NEED A RECORD DE(ISBN=9780823079483)
¥114.70
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Faces Of Salsa(ISBN=9781588340801)
¥97.40
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Molto Agitato(ISBN=9781400032310)
¥109.40
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WE GOT THE NEUTRON BOMB（ISBN=9780609807743）
¥92.00
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MOVING TO HIGHER GROUND(ISBN=9780812969085)
¥92.00
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Stradivari'S Genius(ISBN=9780375760853)
¥86.70
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Main Lines, Blood Feasts(ISBN=9780375713675)
¥92.00
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WILDERNESS(ISBN=9780679726227)
Compiled from the literary estate of the singer who broughta wildly lyrical poetry of the damned to the world of rock 'n'roll. Includes unpublished poems, drawings, photos, and a candidself-interview.
¥86.00
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HOUSE THAT GEORGE BUILT, THE（ISBN=9780812970180）
¥92.00
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HIP HOPTIONARY TM（ISBN=9780767909242）
¥74.70
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BRIDGE OF WAVES(ISBN=9781590307328)
William “Allaudin” Mathieu is a composer and musician whoselong and colorful career ranges from his early work with the StanKenton band to his compositions for the Second City comedy troupe,to his best-selling recordings on the Windham Hill label in the1980s. He is the author of The Listening Book, TheMusical Life, and Harmonic Experience: Tonal Harmony fromIts Natural Origin to Its Modern Expression.
¥109.40
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Kafka Was The Rage(ISBN=9780679781264)
¥80.70
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李斯特改编钢琴独奏曲：舒伯特歌曲集Ⅰ《圣母玛利亚》、《魔王》和其它著名歌曲The Schubert Song Transcriptions for Solo Piano
¥126.90
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¥233.80
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Claude Monet, 1840-1926 (Basic Art)莫奈作品集 9783822859728
¥61.60
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ANTONIO LOPEZ GARCIA: DRAWINGS
¥388.80
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¥223.40
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Complete Etudes for Solo Piano, Series II 李斯特钢琴独奏练习曲Ⅱ：包括帕格尼尼练习曲和交响乐练习曲
¥118.90
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The Theater of Insects [Hardcover] 昆虫摄影（精装） 9780811861557
¥70.40
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¥168.70
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Post-Impressionism (Art of Century) (English and French Edition)后印象派 9781844847464
¥105.60
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¥220.00
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T25 NEW MEDIA ART 新媒体艺术 （25周年纪念特辑）
¥105.80
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全球工业设计合辑Collection of Global Industrial Design （2 Volumes set）
¥537.20
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¥135.90
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印象派和现代艺术Impressionist & Modern Art
¥147.80
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Sienese Painting after the Black Death黑死病后的锡耶纳绘画
¥763.00
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La Danza and Other Great Piano Transcriptions(李斯特《舞蹈》及其它著名钢琴改编曲)
¥118.90
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斯美塔纳《布拉格》和其它管弦乐全谱 The Moldau and Other Works for Orchestra in Full Score
¥150.80
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¥118.90
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ARTISTS' LABORATORY 06: STEPHEN CHAMBERS 9781907533389
¥83.80
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Paul Cezanne, 1839-1906: Pioneer of Modernism (Taschen Basic Art) 塞尚作品 9783822856420
¥61.60
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¥507.60
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The Magic Mirror of M.C. Escher [25th Anniversary Edition]埃舍尔的魔镜（25周年纪念版）
¥127.40
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¥643.00
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¥419.50
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《雷姆·库哈斯: 小，中，大，特大》 《S, M, L, XL》
¥631.10
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¥115.50
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The History of Beads : From 30,000 BC to the Present(ISBN=9780500286593)
From Library JournalBeads have played an important role in every major civilizationand have traveled widely as valuable and easily portable objects ofadornment. This comprehensive and visually stimulating historyfocuses on the bead in its cultural context as personal decoration,currency, status symbol, magical charm, and form of culturalcommunication. Complementing the well-documented text are full-pagecolor photographs of beads from museums and private collections;maps showing bead-making centers and distribution routes; and afold-out chart of every major bead type (over 1230) from the dawnof history to the present. Highly recommended for academic andlarge public libraries. Janice Zlendich, California State Univ.Lib., FullertonCopyright 1987 Reed Business Information, Inc. --This text refersto an out of print or unavailable edition of this title.Amazon.comBeads have been used throughout the ages and in virtually everyculture, not simply as adornment but to express socialcircumstances, political occurrences, and religious beliefs; as aform of currency; or as symbolic embodiments of curative powers.And they're colorful, made of various interesting materials, andcan be combined in endless configurations. With more than 100 crispcolor photos and intelligently written text that reaps the benefitsof the author's 30 years of research, The History of Beadsdocuments bead styles and uses in Europe, the Americas, Africa, andthe Far East. Ranging from prehistoric times to the 20th century,this book stops along the way to consider the magic eye bead,prayer beads, and beads with other special attributes. Aneight-page color gatefold section offers a fascinating timeline ofthe bead's history at a glance. Bead devotees can satisfy theircuriosity about their medium of choice and draw inspiration fortheir own creations from the beautiful photos of necklaces,collars, bags, headdresses, and other beaded ornaments. --Amy Handy--This text refers to an out of print or unavailable edition ofthis title
¥178.70
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Painting - Mus?e d'Orsay（9788857212463）
¥419.50
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Bulgari Chinese-English Edn (Guide)(ISBN=9788857212036)
¥35.90
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Color Harmony Workbook: A Workbook and Guide to Creative Color Combinations（中图特价艺术书）
This workbook is a practical, visual guide that takes theguesswork out of choosing and using color combinations. Colors andcolor schemes are matched to specific moods, to help you select thebest color combination for any design project, whether graphicdesign, interior design, crafts, or fine art. Large, tear-outswatches of each color combination let you mix, match, and testdifferent hues in your designs. An essential tool for all whodesign with colors.
¥129.00
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