![唐风吹拂撤马尔罕 粟特艺术与中国波斯印度拜占庭 [意]康马泰 毛铭 【正版书】](http://img3m3.ddimg.cn/25/20/11752298143-1_b_1716261882.jpg)
唐风吹拂撤马尔罕 粟特艺术与中国波斯印度拜占庭 [意]康马泰 毛铭 【正版书】 【店主推荐,正版书放心购买,可开发票】
中国古籍中的“康国”,即指撒丶马尔罕 欧洲的粟特学家都希望能以“康”为姓,事实上唯独康马泰因其名为Compareti而独享此荣耀,而年轻的康马泰也确实与撒丶马尔罕有着不解之缘。《唐风吹拂撒丶马尔罕》正是作者康马泰结合主持中亚布哈拉古城考古的挖掘实践及多年研究的心血之作。全书分为四卷——《粟特艺术与中国》《粟特艺术与》《粟特艺术与印度》《粟特艺术与拜占庭》,关于撒丶马尔罕大使厅壁画上的唐代端午节,中国北朝墓葬中的粟特艺术,粟特信仰与佛教、印度教神祇的关系等,书中都有精彩论述。尤其值得一提的是,康马泰于989年首先考证出的撒丶马尔罕大使厅壁画西墙内涵,本书对撒丶马尔罕大使厅壁画中考证出的新关于唐高宗、武则天以及佛教内容所做的分析研究,为揭示整个壁画主题以及更多相关领域的研究提供了珍贵的资料和思路
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1491 is not so much the story of a year, as of whatthat year stands for: the long-debated (and often-dismissed)question of what human civilization in the Americas was like beforethe Europeans crashed the party. The history books most Americanswere (and still are) raised on describe the continents beforeColumbus as a vast, underused territory, sparsely populated byprimitives whose cultures would inevitably bow before the advancedtechnologies of the Europeans. For decades, though, among thearchaeologists, anthropologists, paleolinguists, and others whosediscoveries Charles C. Mann brings together in 1491 ,different stories have been emerging. Among the revelations: thefirst Americans may not have come over the Bering land bridgearound 12,000 B.C. but by boat along the Pacific coast 10 or even20 thousand years earlier; the Americas were a far more urban, morepopulated, and more technologically advanced region than generallyassumed; and the Indians, rather than living in static harmony withnature, radic
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Review 'Two things give Kitto's classic book its enduring freshness: hepioneered the approach to Greek drama through internal artistry andthematic form, and he always wrote in lively and readable English.'- Oliver Taplin, University of Oxford, UK Product De*ion With a new foreword by Edith Hall 'Two things give Kitto's classic book its enduring freshness: hepioneered the approach to Greek drama through internal artistry andthematic form, and he always wrote in lively and readable English.'- Oliver Taplin, University of Oxford, UK Why did Aeschylus characterize differently from Sophocles? Whydid Sophocles introduce the third actor? Why did Euripides not makebetter plots? So asks H.D.F Kitto in his acclaimed study of Greektragedy, available for the first time in Routledge Classics. Kitto argues that in spite of dealing with big moral andintellectual questions, the Greek dramatist is above all an artistand the key to understanding classical Greek drama is to try andunders
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From Publishers Weekly Battle is thedramatic centerpiece of Civil War history; this penetrating studylooks instead at the somber aftermath. Historian Faust ( Mothersof Invention ) notes that the Civil War introduced America todeath on an unprecedented scale and of an unnatural kind—grisly,random and often ending in an unmarked grave far from home. Shesurveys the many ways the Civil War generation coped with thetrauma: the concept of the Good Death—conscious, composed and atpeace with God; the rise of the embalming industry; the sadattempts of the bereaved to get confirmation of a soldier's death,sometimes years after war's end; the swelling national movement torecover soldiers' remains and give them decent burials; theintellectual quest to find meaning—or its absence—in the war'scarnage. In the process, she contends, the nation invented themodern culture of reverence for military death and used the fallento elaborate its new concern for individual rights. Faust exhumes awealth of material—condole
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Founding Mothers Fathers is a scholarly study of theresponsibilities and rewards New World colonists assigned to adultssolely on the basis of gender. Historian Mary Beth Norton assertsthat a changing world-view caused the limited power wielded by ahandful of early colonial women to trickle away by the time theAmerican Constitution was framed. Since nearly every moment ofdaily life was subject to intense scrutiny by the entire community,the court records and other public documents Norton diligentlycombed to make her case are anything but dull, and the offenses andpunishments meted out speak loudly to the issues of genderedpower. Crystallizing the inflexibility of gender roles in the Americancolonies is the tale of a servant known as Thomasine or ThomasHall, alternately. Raised for two decades as a girl, Hall laterswitched several times between the clothes and roles of a man andthose of a woman. Although outraged townswomen repeatedly assuredcolonial authorities that Hall was physically male, his
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From Publishers Weekly Although Hitlertook his own life, there was no shortage of people who wanted, andattempted, to do it for him throughout his political career.Drawing on newly opened archives in Germany and elsewhere, Britishhistorian Moorhouse ( Microcosm: Portrait of a Central EuropeanCity ) casts a wide net, chronicling failed assassinationattempts by disaffected individuals in the early days of Hitler'sreign, such as radical university student Maurice Bavaud, whosethree easily thwarted tries in November 1938 got him guillotined;the efforts of a British group of James Bond–like spies armed with,among other things, "exploding rats"; and the well-known attemptsof German officers, such as Hitler's architect Albert Speer.Moorhouse also brings to light little-known would-be-assassins,such as members of the Polish underground. Most of theassassination attempts Moorhouse describes failed because of poorplanning; others fell victim to circumstance, while some may simplyhave been rumors, making for a comp
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Twice a winner of the Pulitzer Prize, author Barbara Tuchmannow tackles the pervasive presence of folly in governments throughthe ages. Defining folly as the pursuit by governments of policiescontrary to their own interersts, despite the availability offeasible alternatives, Tuchman details four decisive turning pointsin history that illustrate the very heights of folly in government:the Trojan War, the breakup of the Holy See provoked by theRenaissance Popes, the loss of the American colonies by Britain'sGeorge III, and the United States' persistent folly in Vietnam. THEMARCH OF FOLLY brings the people, places, and events of historymagnificently alive for today's reader
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Travels of Marco Polo 马可波罗游记 9781853264733
作者简介 Marco Polo (1254-1329) has achieved an almost archetypal status as a traveller, and his Travels is one of the first great travel books of Western literature, outside the ancient world. The Travels recounts Polo's journey to the eastern court of Kublai Khan, the chieftain of the Mongol empire which covered the Asian continent, but which was almost unknown to Polo's contemporaries. Encompassing a twenty-four year period from 1721, Polo's account details his travels in the service of the empire, from Beijing to northern India and ends with the remarkable story of Polo's return voyage from the Chinese port of Amoy to the Persian Gulf. Alternately factual and fantastic, Polo's prose at once reveals the medieval imagination's limits, and captures the wonder of subsequent travel writers when faced with the unfamiliar, the exotic or the unknown.
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The Sack of Rome: Media + Money + Celebrity = Power = Silvio
A frightening case study . . . that has plenty of bearing onour own media-driven politics. -- BusinessWeek This riveting, unsparing biography is not merely an exposé ofBerlusconi but a vivid lesson in how, under the right conditions,any man of wealth and few scruples can manipulate an entire nation.-- Chicago Tribune
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EMPIRES OF THE SEA(ISBN=9780812977646)
“[Crowley] offers exquisitely delicate insights and undulatingde*ive passages. Yet in his de*ions of the battles, hisprose is so taut and tense, it is impossible not to be caught up inthe harrowing action.”— Christian Science Monitor “A masterly narrative that captures the religious fervor, brutalityand mayhem of this intensive contest.”— Kirkus Reviews, starred review “Gripping . . . This is a rare combination of a history book thatreads with the detail, insight and pace of a novel.”— TampaTribune “Crowley has an astonishing gift for narration; hisaccount is as exciting as any thriller.”— Wall StreetJournal “Crowley’s page-turner history . . . deserves to be this [season’s]most recommended nonfiction book. . . . Rich in character, action,surprise, what transpired in those few desperate weeks is one ofhistory’s best and most thrilling stories.”— Dallas MorningNews
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