
1491 is not so much the story of a year, as of whatthat year stands for: the long-debated (and often-dismissed)question of what human civilization in the Americas was like beforethe Europeans crashed the party. The history books most Americanswere (and still are) raised on describe the continents beforeColumbus as a vast, underused territory, sparsely populated byprimitives whose cultures would inevitably bow before the advancedtechnologies of the Europeans. For decades, though, among thearchaeologists, anthropologists, paleolinguists, and others whosediscoveries Charles C. Mann brings together in 1491 ,different stories have been emerging. Among the revelations: thefirst Americans may not have come over the Bering land bridgearound 12,000 B.C. but by boat along the Pacific coast 10 or even20 thousand years earlier; the Americas were a far more urban, morepopulated, and more technologically advanced region than generallyassumed; and the Indians, rather than living in static harmony withnature, radic
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Jonathan Raban ambles and pickshis way across the Montana prairie, called "The Great AmericanDesert" until Congress offered 320-acre tracts of barren land toimmigrants with stardust in their eyes. Raban s prosemakes love to the waves of land, red dirt roads, and skeletons ofhomesteads that couldn t survive the Dirty Thirties. Aspoignant as any romance novel, there s heartbreak in thefailed dreams of the homesteaders, a pang of destiny in thearbitrary way railroad towns were thrown into existence, andinspiration in the heroism of people who ve fashionedlives for themselves by cobbling together homes from the ruinedhouses of those who couldn t make it. Through it all,Raban s voice examines and honors the vast open expansesof land and pays homage to the histories of families who eked outan existence
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In 1954, Shelby Foote was a young novelist with a contract towrite a short history of the Civil War. It soon became clear,however, that he had undertaken a long-term project. Twenty yearslater Foote finally completed his massive and essential trilogy onthe War Between the States. His three books are prose masterpieceswith lively characterizations and gripping action. Although Footenever sacrifices the truth of what happened to his penchant forartistry, his skills as a novelist serve him well. Reading allthree of these books will take some time, but they are worth theinvestment--especially if you, like Foote, have a touch of sympathyfor the South's lost cause.
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A revolutionary book that explains the most enigmatic andfascinating wonder of the ancient world: the Pyramids of Egypt."[An] absorbing and fascinating work of archaeologicaldetection...clearly and rivetingly told...the book is highly andcompulsively readable."-- London Sunday Times. 16-pageblack-and-white inserts.
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In 1985 William Styron fell victim to a crippling and almostsuicidal depression, the same illness that took the lives ofRandall Jarrell, Primo Levi and Virginia Woolf. That Styronsurvived his descent into madness is something of a miracle. Thathe manages to convey its tortuous progression and his eventualrecovery with such candor and precision makes Darkness Visible arare feat of literature, a book that will arouse a shock ofrecognition even in those readers who have been spared thesuffering it describes.
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Review 'Two things give Kitto's classic book its enduring freshness: hepioneered the approach to Greek drama through internal artistry andthematic form, and he always wrote in lively and readable English.'- Oliver Taplin, University of Oxford, UK Product De*ion With a new foreword by Edith Hall 'Two things give Kitto's classic book its enduring freshness: hepioneered the approach to Greek drama through internal artistry andthematic form, and he always wrote in lively and readable English.'- Oliver Taplin, University of Oxford, UK Why did Aeschylus characterize differently from Sophocles? Whydid Sophocles introduce the third actor? Why did Euripides not makebetter plots? So asks H.D.F Kitto in his acclaimed study of Greektragedy, available for the first time in Routledge Classics. Kitto argues that in spite of dealing with big moral andintellectual questions, the Greek dramatist is above all an artistand the key to understanding classical Greek drama is to try andunders
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1491 (SECOND EDITION(ISBN=9781400032051)
In this groundbreaking work of science, history, andarchaeology, Charles C. Mann radically alters our understanding ofthe Americas before the arrival of Columbus in 1492.Contrary towhat so many Americans learn in school, the pre-Columbian Indianswere not sparsely settled in a pristine wilderness; rather, therewere huge numbers of Indians who actively molded and influenced theland around them. From the astonishing Aztec capital ofTenochtitlán, which had running water, immaculately clean streets,and was larger than any contemporary European city, to the Mexicancorn that was so carefully created in a specialized breedingprocess that it has been called man’s first feat of geneticengineering, Indians were not living lightly on the land but werelandscaping and manipulating their world in ways that we are onlynow beginning to understand. Challenging and surprising, this atransformative new look at a rich and fascinating world we onlythought we knew.
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Greeks and Pre-Greeks : Aegean Prehistory and Greek Heroic T
作者介绍:Margalit Finkelberg Margalit Finkelberg is Professor of Classics at Tel Aviv University. Her previous books include The Birth of Literary Fiction (Oxford, 1998).
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